(Looper has an option to start Live playing when loops are triggered.)Īlthough Push has functioned as usual with mixing and device controls, when Live’s been in Arrangement View, it hasn’t had much else to offer for when we must work in a timeline. The timing of connected iOS apps will line up correctly when Live’s transport is started with either tap tempo or the Looper audio effect device. Live 9.7 also includes a small but important Link tweak – Ableton Link, of course, being the means by which Live and various iOS music apps can sync over WiFi. In my live sets, I’m using renaming, colour coding, display zoom, different skins, whatever it takes! Push now provides a visual count-in – a little segmented bar across the display – so you can refer to that in situations where you don’t want to hear, or can’t hear, the usual metronome count very useful… They are even more important in live-performance situations where it’s so easy to be distracted and lose focus. They quickly become habits you depend on in the studio, especially when you’re working with more complex projects, where the more labelling and identification you employ, the faster you’re likely to work. There are a number of visual-feedback improvements relating to Push 2, and if you’re new to Live or DAWs in general, you might not appreciate how important colour coding and visual information are. Be sure to edit your drum rack’s Simpler instruments to be responsive to incoming velocity changes using the Vel>Vol setting in Simpler’s Controls tab it makes a big difference when it comes to personalising your racks. You can create really dynamic fills and breaks – it’s one of those things I couldn’t see the point of until I tried it. Playing beats becomes a totally different experience and gets great results. This is definitely a Push function that will be quicker than using the mouse!įor real-time drum-pad players – I hate to say ‘finger drummers’, but there you go, I’ve said it – the additional drum-rack layout is a real gift. The menus are divided into very logical columns and fast to navigate. The ability to access the In/Out View controls from Push is a major workflow bump as well – this goes with the existing mixer controls to make Push a more credible front end for your Live-based mixing rig. Genius! This is a great way to put those pads to work.
Ableton live 9.6 zoom in manual#
For the Manual mode, you can tap a pad to specify the slices, and also tap the Delete button, then the pad to erase those slices. You can choose Mode, Sliceīy and then the relevant value, such as Transient/Sensitivity, Beat/Note division, or Region/No.
Ableton live 9.6 zoom in full#
That integration is working, as full control over these new features is available from Push. They’re really just simple variations on what’s already possible, but they’ll speed up a lot of common slicing and sampling tasks and, like many features in Simpler, seem optimised to help make Push 2 more of a serious sampling platform/interface. In recent times, Simpler’s been getting a lot of love from Ableton, as it should – and the new slicing modes are interesting: Beat, Region, and Manual.
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